1829-1905 French Jean Jacques Henner Galleries French painter. He was born into a peasant family in the Sundgau and received his first artistic training at Altkirch with Charles Goutzwiller (1810-1900) and later in Strasbourg in the studio of Gabriel-Christophe Gu?rin (1790-1846). In 1846 he enrolled at the Ecole des Beaux-Arts in Paris as a pupil of Michel-Martin Drolling and, from 1851, of Francois-Edouard Picot. While a student he was particularly drawn to portraiture, and during his frequent visits to Alsace he made portraits of his family as well as of the notables of the region. He also painted scenes of Alsatian peasant life.  Related Paintings of Jean-Jacques Henner :. | La Fontaine | Alsatian Girl | La liseuse, | A Red Haired Beauty | Jesus au tombe |
Related Artists:
Maron, Anton von
Austrian, 1733-1808 Austrian painter. He studied at the Vienna Akademie and, in 1755, he went to Rome, where he was based for the rest of his life. From 1756 to 1761 he was first the pupil then the assistant of Anton Raphael Mengs. In 1765 he married Mengs's sister, the miniature painter Theresia Concordia Mengs. After collaborating on Mengs's fresco paintings in Rome (at S Eusebio and the Villa Albani; both in situ), Maron, working independently in Rome, spent some time on altar pictures (S Maria dell'Anima) and on various decorative projects. Mengs's influence is evident in Maron's ceiling pictures in the casino of the Villa Borghese (1784; in situ), where five paintings tell the Story of Aeneas and Dido in the style of quadri riportati, using clear construction, sharply defined drawing and a historical concept based on antiquity. Although he received many commissions for this type of work, Maron's true gifts lay in the field of portraiture. Along with Pompeo Batoni, Maron was the most celebrated portrait painter in 18th-century Rome, and he received an enormous number of commissions from princes, diplomats and church dignitaries and from English aristocrats visiting Rome as part of their Grand Tour. Maron painted such sitters in the same style as did Batoni, usually full-length and life-size, in elegantly fashionable dress, against backgrounds of Classical sculptures and views of Rome. Portraits such as those of Francis, Prince of Anhalt Dessau
JORDAN, Esteban
Spanish painter/sculptor (1534-1600)
Johannes Gumpp
1626-after1646